Ezra Wube, Uriel Orlow, Maeve Brennan

KINETIK

19.03.2026 – 17.04.2026

  • Ezra Wube, The Anthropocene Comedy, 2022. Video, color, sound, 29’40”. Still from video

  • Ezra Wube, The Anthropocene Comedy, 2022. Video, color, sound, 29’40”. Still from video

  • Uriel Orlow, Forest Futures, 2025. Video, color, sound, 26’33’’. Still from video

  • Uriel Orlow, Forest Futures, 2025. Video, color, sound, 26’33’’. Still from video

  • Maeve Brennan, Listening in the Dark, 2018. Video, color, sound, 43’30”. Still from video

  • Maeve Brennan, Listening in the Dark, 2018. Video, color, sound, 43’30”. Still from video

KINETIK is a video art festival exploring landscapes in transformation, interrogating the realities of climate change and the relationship between humanity and the natural world. The project is aimed with particular care at children and young people, fostering meaningful dialogue with new generations about the fragility of our planet. Through the language of contemporary art, KINETIK seeks to turn looking into awareness, and awareness into action. The festival grows out of the urgent environmental shifts reshaping southern Italy, and the province of Lecce in particular: a sweeping loss of biodiversity, the advancing salinisation and desertification of the soil, and the accelerating erosion of the coastline. In this context, art becomes a catalyst for reflection and participation, a bridge between science, education and imagination, capable of engaging not only the youngest audiences but entire families and the wider local community. The programme is structured around individual screenings, each conceived as a point of departure for reflection and critical dialogue. Following each film, young viewers are invited to explore, discuss and exchange ideas in conversations led by studioconcreto and specialist scientists, tailored to a curious and youthful audience. In this way, the works become active instruments of discovery and environmental education, opening windows onto natural, social and imaginative worlds.

The programme features screenings by internationally acclaimed artists:
— The Anthropocene Comedy by Ezra Wube (19 March 2026)
— Forest Futures by Uriel Orlow (10 April 2026)
— Listening in the Dark by Maeve Brennan (17 April 2026)

Each work opens a space for dialogue, enabling younger audiences to grapple with the complexities of the Anthropocene, to witness the transformation of landscapes and to understand the connections between natural history, human behaviour and the future of the planet. The collaboration with the National Biodiversity Future Center deepens the encounter between art and science, providing concrete tools for awareness and engagement.

KINETIK is not simply a video art festival, it is an experiential and educational journey, an invitation to look, listen and reflect on landscapes in flux; to feel the responsibility that comes with inhabiting the world; and to imagine together the possible futures of a more sustainable, caring planet.

Project funded by NextGenerationEU and promoted by the MUR – Italian Ministry of University and Research, Italia Domani, the NBFC – National Biodiversity Future Center, and the CNR – National Research Council of Italy.

Ezra Wube (b. 1980, Addis Abeba, Ethiopia) is an interdisciplinary artist who lives and works in Brooklyn, New York. His practice encompasses video, drawing, painting, and installation, developed through a reflection on the concepts of mobility, memory, and belonging. At the heart of his work lies the dialogic tension between “here” and “elsewhere,” between past and present, and between layered cultural influences that interrogate social idealism, pluralism, and autonomy. His works have been presented in major international contexts, including the Dak’Art Biennale (Dakar, 2014), the Marrakech Biennale (2014), the SESC Videobrasil International Festival of Contemporary Art (São Paulo, 2014), and the Times Square Midnight Moment program (New York, 2013). Notable awards and residencies include: Artist in the Marketplace at the Bronx Museum of the Arts (2014), Swing Space with the Lower Manhattan Cultural Council (2013), The Substation (Johannesburg, 2011), Contemporary Artists Center (Troy, NY, 2011), and Château de la Napoule (France, 2011). Wube earned his BFA from Massachusetts College of Art and Design (2004) and his MFA from Hunter College (2009).

 

Uriel Orlow (b. 1969, Switzerland) lives and works between Lisbon, London, and Zurich. He studied Fine Art at Central Saint Martins College of Art & Design and the Slade School of Art in London, philosophy at the University of Geneva, and completed a PhD in Fine Art in 2002 at UAL. He is the recipient of the Swiss Grand Prix for Art / Prix Meret Oppenheim (2023), the C. F. Meyer Prize (2020), and the Sharjah Biennial Prize (2017), as well as three Swiss Art Awards (2008, 2009, 2012) and a ‘Werkjahr’ recognition from the City of Zurich (2015). His works have been presented in major international exhibitions including the 12th Berlin Biennale for Contemporary Art, the 54th Venice Biennale, Manifesta 12 (Palermo), EVA International (Limerick), Bergen Assembly, Kathmandu Triennale, the 2nd Yinchuan Biennale, the 13th Sharjah Biennial, the 7th Moscow Biennale, and the 2nd Aichi Triennale (Nagoya). He has also been invited to the forthcoming Venice Biennale. Among his most recent solo exhibitions: Galeria Avenida da Índia (2025), MCBA Lausanne (2024), Casa da Cerca (Almada, 2022–2023), Kunsthalle Nairs (Switzerland, 2021), La Loge (Brussels, 2020), State of Concept (Athens, 2020), Kunsthalle Mainz (2019–2020), Tabakalera (San Sebastián, 2019), Villa Romana (Florence, 2019), Kunsthalle St. Gallen (Switzerland, 2018), PAV Turin (2017), and The Showroom (London, 2016).
His films and video works have been presented at international festivals and museums, including Locarno Film Festival, Oberhausen International Short Film Festival, Tate, ICA London, Whitechapel Gallery, Palais de Tokyo (Paris), Fondation Ricard (Paris), Maison Populaire (Paris), Bétonsalon (Paris), Württembergischer Kunstverein (Stuttgart), Project Arts (Dublin), Market Photo Workshop (Johannesburg), Castello di Rivoli, and Les Laboratoires d’Aubervilliers (Paris). He has taught at international institutions including Goldsmiths University of London, Central Saint Martins College of Art & Design, HEAD – University of the Arts Geneva, and the Royal College of Art. He is currently Reader (Associate Professor / Senior Researcher) at the University of Westminster and a lecturer at ZHdK – University of the Arts Zurich.

 

Maeve Brennan (b. 1989, Ireland) is an artist and filmmaker based in London. Her practice explores the political and historical resonance of materials and places, investigating the layers of memory, power, and transformation inscribed in spaces and architectures. Brennan graduated from Goldsmiths University of London in 2012 and was a fellow of the Home Workspace Programme at Ashkal Alwan, Beirut (2013–14). Her works have been presented in international contexts such as the British Art Show (2021), Copperfield (London, 2020), Jerwood Space (2018), Chisenhale Gallery (2017), Dar el-Nimer (Beirut, 2016), and the Centre for Contemporary Art Ujazdowski Castle (Warsaw, 2015). Her films have been screened internationally, including at the International Film Festival Rotterdam, FILMADRID, Sheffield DocFest, and Sonic Acts (Amsterdam). Among the recognitions she has received are the Jerwood/FVU Award (2018) and the Stanley Picker Fellowship (Art & Design) (2019–21).

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Privacy Policy of www.studioconcreto.net

Owner and Data Controller

Zero Al Cubo Aps
Via Umberto Congedo, 2 

73100 Lecce 

cf: 93101150758

Owner contact email: info@studioconcreto.net

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Detailed information on the processing of Personal Data

Personal Data is collected for the following purposes and using the following services:

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Personal Data processed: country; email address; first name; last name.

Interaction with external social networks and platforms 

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Withdraw their consent at any time. Users have the right to withdraw consent where they have previously given their consent to the processing of their Personal Data.

Object to processing of their Data. Users have the right to object to the processing of their Data if the processing is carried out on a legal basis other than consent. Further details are provided in the dedicated section below.

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Verify and seek rectification. Users have the right to verify the accuracy of their Data and ask for it to be updated or corrected.

Restrict the processing of their Data. Users have the right, under certain circumstances, to restrict the processing of their Data. In this case, the Owner will not process their Data for any purpose other than storing it.

Have their Personal Data deleted or otherwise removed. Users have the right, under certain circumstances, to obtain the erasure of their Data from the Owner.

Receive their Data and have it transferred to another controller. Users have the right to receive their Data in a structured, commonly used and machine readable format and, if technically feasible, to have it transmitted to another controller without any hindrance. This provision is applicable provided that the Data is processed by automated means and that the processing is based on the User’s consent, on a contract which the User is part of or on pre-contractual obligations thereof.

Lodge a complaint. Users have the right to bring a claim before their competent data protection authority.

Details about the right to object to processing

Where Personal Data is processed for a public interest, in the exercise of an official authority vested in the Owner or for the purposes of the legitimate interests pursued by the Owner, Users may object to such processing by providing a ground related to their particular situation to justify the objection.

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How to exercise these rights

Any requests to exercise User rights can be directed to the Owner through the contact details provided in this document. These requests can be exercised free of charge and will be addressed by the Owner as early as possible and always within one month.

Cookie Policy

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Additional information about Data collection and processing

Legal action

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Additional information about User’s Personal Data

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System logs and maintenance

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Information not contained in this policy

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How “Do Not Track” requests are handled

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Changes to this privacy policy

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Should the changes affect processing activities performed on the basis of the User’s consent, the Owner shall collect new consent from the User, where required.

Definitions and legal references

Personal Data (or Data)

Any information that directly, indirectly, or in connection with other information — including a personal identification number — allows for the identification or identifiability of a natural person.

Usage Data

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User

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Data Subject

The natural person to whom the Personal Data refers.

Data Processor (or Data Supervisor)

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Data Controller (or Owner)

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This Application

The means by which the Personal Data of the User is collected and processed.

Service

The service provided by this Application as described in the relative terms (if available) and on this site/application.

European Union (or EU)

Unless otherwise specified, all references made within this document to the European Union include all current member states to the European Union and the European Economic Area.

Cookies

Small piece of data stored in the User’s device.

Identifier

Any technology – including Cookies – that allows for the storing of information, or the accessing of already-stored information, on the User’s device.

Legal information

This privacy statement has been prepared based on provisions of multiple legislations, including Art. 13/14 of Regulation (EU) 2016/679 (General Data Protection Regulation).

This privacy policy relates solely to this Application, if not stated otherwise within this document.

Latest update: May 12, 2020